When I made these soaps, my mind was on Mother's Day and I decided to create a Berries & Creme soap.  The idea was to add a bit of coconut milk for the "Creme" and the fragrance is Berry & Mint.  I colored the soap with a combination of blue (indigo), purple (alkanet root) and red (rose clay).  I wanted a greater contrasting white along with these colors, and that is difficult to obtain using natural ingredients, as I do not use oxides, micas or dyes.  Therefore, I decided to use the saline lye technique once again (I used this method for the Cinnamon Buns last year and it worked quite well!) to get a brighter white.  I'm also SO loving salt in my bars these days :).

With the drop swirl technique, you place alternating colors of soap batter on top of each other in lines.  This is best achieved using squeeze bottles, but you can also use other pouring techniques which would vary the size of the drops and the width of the color in the final design.  I decided to use my squeeze bottles for this batch.  After making up the different colors and bringing them to emulsion, I divided them into their respective bottles.  I then poured the reserved bottom layer of naturally colored batter into the mold.

Then I proceeded to add the layers of color, all the way up to the top of the mold.  The drops variation also depends on the thickness of the batter, and the distance used when pouring the lines.  Once that was completed, I waited (while cleaning up the mess I'd just made...) for the reserved white batter to thicken up enough to look like creme when placed on the top.  I had some berry embeds that I made the day before at hand, and created some leaves using soap dough and a fondant mold.  These were placed on top of the "creme" at one inch intervals, to ensure that the embellishments would slide through the cutter properly.

Once that was completed, I waited (while cleaning up the mess I'd just made...) for the reserved white batter to thicken up enough to look like creme when placed on the top.  I had some berry embeds on hand, that I made the day before, and created some leaves using soap dough and a fondant mold.  These were placed on top of the "creme" at one inch intervals, to ensure that the embellishments would slide through the cutter properly.

After putting the loaf to "bed" my concerns were that the contrasts were not going to be very visible in the final bars.  The batter of the indigo and alkanet root soaps were so similar, and, not having done the saline soap very often, it's always a concern if it will pop the way I want.  However, after unmolding, it was clear that all the colors were showing up quite well, with wonderful contrast.

The cut is always the most fun, as well as most nerve wracking part of this whole process.  I was so anxious that it wouldn't come out the way envisioned, but I was not disappointed.  Look at that bright white!  These bars turned out to be stunningly beautiful, and the scent is lovely - something that customers will certainly love :)

These bars turned out to be stunningly beautiful, and the scent is lovely - something that customers will certainly love :)

Thanks for reading through to the end!!!

For the challenge, beginners were to do at least five layers, whereas more experienced soapers were to add other design elements, with the stripes being at least 50% of the soap. She also has a separate entry group for the people who have won in the past, the winners category.  These folks were further challenged to only use plant based colorants in their design.  I'm leaning towards entering this category, even though I've never won anything here - for me it's all about pushing myself to learn something new and hone in on various techniques.

My first attempt for this challenge, was to do an owl with a stripey belly.  With this idea, I went looking for inspiration on the web and these two images were the closest to what I had in mind.  I drew up the idea on a "soap sized" piece of paper and went to work.  I also am not very good with colors, so I found this paper to give me a guide to try to attain.

I started with the eyes.  This was achieved by extruding black circles and placing them into a larger circular column mold.  Here they are before they got cleaned up - ignore that hair there!!!

Then I made the belly.  I made random layers of stripes in various shades available within the natural color palette, using the paper image above as a guide.  I chose to use annatto, indigo, paprika, rhubarb root and a bit of spirulina.  This block was then shaved down to look more like a belly.

Next I poured brown around the belly, colored with cocoa powder, and added the eyes and beak - also an extruded bit of soap dough, colored with rhubarb root.  I "sculpted" the top of the soap with a spatula to look like tufts of the owl ears.

And the cut of these at this point.

I was going to add feet on the bottom (had them extruded and everything!) but decided not to for a few different reasons.  For one, once I cut this loaf into bars, I was pretty happy with the results as they were - stripes are certainly not perfect, but they are so darn adorable!  Also, the bars were already quite a good size - the eyes were bigger than I had initially planned them to be, due to the size of the column mold I used, which made the dimensions off a bit.  And, eliminating the feet increased the proportion of stripes in the design, which I was concerned about.

So, these are the final owl soaps.

All kinds of distractions this week with a wedding and family in town, a death in the family, and more that just keeps piling up.  I'm glad I did the owls right away, or I would not be participating this month.

However, I did get this one poured.  Although I have yet to achieve true Christmas reds and greens, there are so many other shades that are marketed these days during the holidays, and I was hoping I could come up with a design that would work well.

I found this image that I thought would lend well to this technique, so decided to make some Christmas trees.

I poured a mold of layers, ranging from 1.5 oz. of oils to 4 oz. of oils per layer, using indigo & annatto for dark green, rhubarb root for red, nettle for a lighter green, and indigo for blue. 

For those that struggle with achieving these colors with natural ingredients, I would certainly suggest Jo Haslauer's ebooks on natural colorants.  I have yet to go into the realm of the alcohol extraction process she used in the last book I bought, however, that will be forthcoming, as she is able to produce some very vibrant colors. 

With that being said, the combination of indigo and annatto is a green that I've found to hold up well over time.  The trick is to find the right combination for the shade of green you want - and it's not going to be a bright grass green.  I found a new appreciation for the rhubarb root during one of the challenges earlier this year, and so far it has not faded on me.  Indigo is also a steadfast color in my experience.

I scented these bars with a combination of eucalyptus, sage, juniper berry and fir.

Here is the end of the loaf I made.

I then cut a triangle out of the center.  This way I am able to make both a positive and negative image of the tree, making it a double batch with the same pour.

Interestingly, I did not take pictures of my cutting of the loaf, placing it in the mold or pouring the gradient.  But, here is the mold I used (yes, very old school...but extremely modular and versatile), the batters for the gradient and the top before I swirled with a chopstick.  Notice how the gray indigo turns into this lovely blue!

For the background, I decided to do a gradient from white to a darker blue.  With the striped tree, I was hoping for the look of going from snowy ground to dark sky.  However, the pouring of the gradient was awkward, so it ended up being a more vertical than horizontal.

Here's the cut.

So, not exactly what I was hoping for, definitely not getting a Christmas vibe - more like mountains and maybe pyramids?  Part of it is certainly the colors, but I also feel that the tree should have been narrower, and maybe another Christmas element (like a star on the striped tree, or red balls on the blue tree) would bring it together.

These soaps are still being constructed...so the story is not yet finished.

Another soap utilizing the straight layer technique, is once again a fall variety.  How can you not think Halloween with stripes???  So, I decided to make witches legs.  Although it seems as though this would be easier, it ended up taking a lot of time, as I needed to make witches shoes.  I had the perfect shape and sized shoe, but the mold I had only had one, and for my design idea I would need 20 shoes to make ten bars of soap.

So, after spending three days, making a total of three shoes, I decided to create two molds so I can do this again in the future and so I can make all the shoes in one pouring.  Also, I had the advantage of being able to make the mold in such a way as to have shoes that are left and right footed :)  I took one of the three shoes, made an imprint into some clay, flipped it over to imprint the other direction into another piece of clay, and carved out a buckle on this second shoe, not the best, but good enough for this application.

I then poured plaster of paris into these molds, and unlike soaps, they were ready to pop out in about an hour, even sooner when I placed them close to the dehumidifier!  I made five sets of shoes.  Then I stuck these into a plastic box with hot glue and poured silicone over them.  I do sometimes have an issue with the parts floating up before the silicone is set.  If anyone has a solution to this problem, I'd love to hear it :)  This issue was minimal this time, and I was able to make two of these molds, for a total of ten pairs of shoes.

After cleaning up the molds and trimming away the excess, I was able to pour soap batter into them.  Here are my shoes all made.

I made the witches legs by pouring straight layers of alternating black and orange.  This soap is scented with a combination of orange, cinnamon, clary sage and juniper berry - a very nice fall combination.

I then cut this loaf into four tall, skinny pieces.  I was most concerned about getting two that were the exact size I wanted - I again drew this up on a soap sized piece of paper - but I ended up with decent side pieces as well, so they will also end up as soaps, so as not to waste any.

Making the actual finished soap, I started with a black layer on the bottom that I sculpted to look like the edge of a witches skirt.  Once it set up a bit, the legs were placed.  I then poured a gradient from green to purple, piping green around the ankles to hold the shoes prior to pouring the last of the gradient.

Here's the cut of these soaps.

Thinking peach for this entire process, I used oils infused with rhubarb, annatto and a lighter annatto that was mixed with natural soap batter.  For more of a white, I added some kaolin clay to the natural.  I scented the soap with Ginger Peach fragrance, with the addition of a few essential oils to ground it.  Here you can see my batters all ready to go - although the rhubarb is out of the shot...when you scroll down through the process, there are pictures of that color :)

I poured one third of the white into a separate pouring container to help me manage the amount of white to incorporate into each gradient.  I also set aside a few tablespoons of each color to use on the top.

I started with the rhubarb, so you can see the color that makes here in these photos.  The filming angle is not ideal, so I've included a picture of the gradient once it was poured.  The rhubarb does make such a lovely shade!

Next I poured the orange-white gradient.

And finally, the yellow/light orange gradient.  It's hard to see the difference between the two shades of orange, and if I were to do it again, maybe I would do a larger portion in green?  I really like the visual appeal of the green, orange and burgundy colors together.  It would also help if I didn't move the mold out of the camera's field of vision :)

I then added stripes of each individual color on the top, including introducing a bit of the green, prior to performing the hanger swirl.  I created my own swirl pattern in which I came in through the green to the center of the mold, then did several clockwise spirals, increasing the circumference of the motion, from the center out and then up the side where the red was.  I gave it a few more swirls for good measure, but wanted to see if I could produce a circular effect, to create an impression of the roundness of a peach.

I added the remaining soap batter to the top and gave it an elegant swirl.  These pictures show the different shades of orange a little better.

I do love the morning cuts!  I was so excited to get into this one to see how it turned out. 

Two things could be improved upon. 

1) The contrast between colors.  I feel there's not enough distinction between the two oranges, and my white isn't super white.  Next time I'll try brine to bring the white out more, although I'm not sure how that will affect the fluidity of the batter, and that is certainly important with this one.

2) The swirl pattern did not give as much movement as I had hoped for.  I'll have to experiment more with some of the patterns that Christina had suggested.

What a lovely bar! 
I really enjoyed this process, and I will certainly be doing this again! 
Thank you Christina for creating this beautiful technique!!!
And, Thank You Amy for bringing the whole world of soapers together to collaborate and experiment :).

I'm pleased you made it to the end! 
Please leave a comment below!!!

Taralyn

The general idea to get these beautiful swirls is to pour separate sections of color, easiest done using dividers, and then first swirling the soap back and forth across the short distance of the loaf mold, following with a swirl touching the edges of the mold in a circular motion until you are satisfied with the design.  The true beauty is not revealed until the cut, which is performed horizontally rather than vertically.  I've used this technique in the past, and this month I decided to experiment with a couple of the elements to see what the resulting effects are.

One of these elements is trying to obtain a lighter white naturally.  Since I do not use titanium dioxide in my soaps, I have difficulty in successfully creating the contrasts that a pure white would provide.  There are a few ways to achieve this, but what I wanted to try this month is the use of a brine solution, as seen on Auntie Clara's blog.  I've made salt bars in the past, where I add the salt at trace, however, I've never created a briny lye mixture.  I'm hoping this will help produce the contrast I am looking for.

Another element I took to nearly an extreme was the circling of the swirl.  In the past I've always been afraid to circle around too much, as I don't want to lose the swirl and muddy the colors.  Since I was going for a cinnamon bun type of soap, I didn't feel doing it too much would create much harm, so I kept going round and round.  I was going for an almost thin lines design look, and was hoping I could achieve it with this technique. 

I questioned whether or not I should enter this soap into the challenge, as the result was certainly different than what I feel most of the entries will be.  But, I loved the final design, so I thought I'd share it anyway.

And, the third element that I expanded upon was the number of dividers.  I've only ever used two in the past, and this time I used four.  Fun times!!!

So, here we go!

For the Cinnamon Bun, I used soap batter colored with cocoa powder, both a dark brown and a lighter tan color.  I also used two portions of natural soap color and one portion made with the briny lye, to hopefully create a brighter white than I've achieved using kaolin clay.  The scent is cinnamon, orange, lemon, nutmeg, cardamom and just a touch of sweet vanilla fragrance - smells so much like a cinnamon bun!

Making the lye was certainly an interesting experience.  I made a 20% brine solution with distilled water and European spa salt.  Once the salt had completely dissolved into the water, I added the appropriate amount of lye.  It is important to perform this in this order as the salt will not dissolve into a lye solution.  Once the lye was added, the solution turned from a clear salt water solution to a cloudy salt and lye solution. 

The salt in the water turns into a very fine particulate, and the solution needs to be kept stirred up for it to be used properly in the recipe.  The salt will settle to the bottom of the container if left to sit.  And, another interesting fact is that the soap batter made with this briny lye does not look any different than the natural colored soap batter.  So, you do not see the design properly until after it is set up.

Here are some process photos of making the Circling Taiwan Swirl with the four dividers - five distinct sections prior to the swirling.

The one thing that I really need to remember is to add the cocoa to the oils prior to adding the lye, instead of adding at trace.  I did not do that with this batch, and the dark brown got a bit thick on me.  I do think that it worked in my favor this time, as the shape of the blobs turned out very much like a cinnamon bun, but the swirls possibly could have turned out better if all of the batter was the same consistency.

And, here are images of the solid soaps after sitting overnight.

The other thing I should have thought of and didn't was the fact that the addition of the salt could be problematic at cutting.  Generally, with the full on salt bars, I will cut them a couple of hours after the pour - and sometimes they would still be a bit crumbly around the edges (it's a fine balance between being too soggy and too crumbly, really...).  This batch had a little of that going on, and I cut them about 12 hours after the pour.  Maybe I should have cut sooner, but since the majority of the soap was not made with the briny lye, I'm really not sure which way is best.

Anyway, look at that white!  It certainly proved to be a successful method for creating a natural white.  I really love the way these bars turned out, and they are perfect as a Cinnamon Bun bar!

Thanks for reading through to the end!

Taralyn

It's been a while since I've piped some soap, and lots of ideas have been kicking around in my head, so piping it is for me!

I started off with making some flowers for the top.  I've found it's easier to have them made ahead of time so I'm not fighting so much with batter on the top of the loaf, just my preference, makes my day easier.  And, I also know whether or not I'm happy with what I've made before committing to the whole loaf :) 

So, I made some white flowers, added a bit of pink to the petals and black to the center.

I then moved onto the main loaf of soap.

It's mostly a natural colored batter, with a section of mini drop swirl about 1/3 of the way up the bar, created with colors also used on the top of the loaf.  So, natural, pink (rose clay), black (bamboo charcoal) and green (annatto/indigo).  For the green this time, I played with the annatto/indigo ratio, trying to achieve a lighter, more springy color.  It actually turned out a bit more blue than I wanted, but the effect is very nice in the final soap design.  I scented the bars with a combination of Calla Lily and Hydrangea, beautifully sweet!

Here is a link to the video of the pour on Instagram, if you like videos :)

I then placed the pre-made, piped flowers into the wet batter, taking into account where the bars would be cut to hopefully make each one with a decent bit of flower.

To finish it off, I piped fresh green leaves around the flowers to fill in most of the gaps and to further hold the flowers onto the top of the soap.

And here is the top of the loaf while wet.

And the cut bars...I do love how these turned out - and they smell divine!

Thank you for reading to the end :)
Come back again soon to read more soap making stories!

Taralyn

Such a beautiful rainbow...I think the best I've achieved to date!

My idea for this soap was to make a new "peppermint bark" soap, which I have made in the past and is a customer favorite.  The ingredients include cocoa powder for the brown coloring, rose clay for the red and pink,  and peppermint essential oil for the scent.  These will be a little late for Christmas this year, but people tend to like chocolate and mint throughout the year :)

I have never tried the actual Ciaglia method, so I tried that this month and played a bit with sculpting layers and new ways of doing and/or using mini drops and pull through techniques.  Lots of messiness with this soaping adventure!  And, as it turned out, very difficult to get all layers to look decent in one bar of soap!

So...here we go!

I started with a layer of brown, adding some chopped up candy cane soap ends for the ciaglia technique.  This method uses bits of leftover soap, which you blend into the oils prior to adding the lye.

I then scraped this layer to give even lines for the next layer, the vision being red and white stripes to look like candy canes.  There are a few different reasons this didn't really work as planned.  One, being the texture of the ciaglia layer, I was hoping the bits would be finer?  I had a few different ideas for scraping, not having made an official scraper for the job, and the best tool ended up just being a bamboo skewer.  It didn't scrape as smoothly as my mind thought it would (and took forever!) which then made the first brown layer very uneven as the soap got pushed up randomly and I didn't take the time to level it all out.  I actually like it this way in the final bar, but not what I had originally envisioned.

The second layer was designed to have red and white stripes to give the look of a candy cane, spilling over the top to give a thin full layer across the entire bar.  This took a bit of time, and as the batter thickened it became more and more difficult to fill in those small spaces.

Once I got to the top of the brown, I tried to continue with the layers but because it was fairly thick it did not cover easily for the thinness it needed to be.  So, it ended up looking like this.

The third layer is the one I was most excited about.  I wanted to see if I could perform the pull through technique horizontally, instead of vertically in a tube.  So, I 3D printed a rectangular snowflake shape to pull through.  To get the color variety for this layer, I slowly built up layers in a striped pattern of red, white and brown using squeeze bottles.

The idea then was to slide the 3D printed panel on the far end of the mold and pull it through across all the rows of color.  This was a complete fail, as I did not design the tool with enough negative space.  Because I was doing a full batch of 40 bars, I had four "lanes" to attempt this, and I switched gears and utilized a wire I've used in the past for this technique instead.  This actually worked quite well, and I was pleased with the outcome.  I now need to create a wire one, or a much thinner 3D printed design, to use in the future.  I'm certainly not done playing with this technique!!!

After this pull through layer, I did a simple in the pot swirl of red and white with a sculpted top - the idea being to give it a scalloped looking edge.  Again, I did not create anything to do this with, and was relying on the fact that I had a scraper kicking around from cake decorating days...somewhere.  I finally found it, but none of the sides had a simple scallop, which was a bit disappointing.  However, I played with two of the three sides and liked the result of both - you will see that some bars have a bit of both shapes in them. 

This was not so easily achieved, as I did not have the sides of a narrower mold to help guide me - part of the reason I wanted to try this, to see if I could have an even hand and attain the desired result.  It mostly worked, which made me happy :)

Following the in the pot swirl, I made a layer of just chocolate, with the idea of doing some mini drops.  The layer was pretty small being only about a cm deep and I wanted my drops to be proportionately tiny.  So, I decided to use a syringe for the drops, which mostly worked.  I do feel the syringe got a bit clogged up though and I was worried about the consistency of the drop lines.  They turned out pretty well though, giving small dots of white and pink in the brown.

The final layer was a sad attempt of a one pot wonder, as the batter was not the same consistency for the two colors and one was just covering the other up and not pouring well.  But, I completed it, finishing it off with a drizzle of red.

Long soap making day...but how I do love waking to the prospect of cutting a surprise batch.  Who knows what this one will look like lol!

Here's a gallery of unmolding and cutting photos.

Such a fun idea for making a bar with a lot of interest!  Thank you Amy for the inspiration!!!

These are lovely and I'm glad I had the time to participate this month.

These bars are colored with charcoal, cocoa powder, indigo, alkanet root, moroccan red clay and kaolin clay.  One of the charcoals (the gray...) was actually made by an artist friend of mine out of willow I believe. 
Here are some process pics...

And, the final bars - so hard to choose which ones to put into the picture, as they are all gorgeous!  I wasn't sure how the horizontal cuts would work, but some of these bars are absolutely stunning. 

I'm leaving for Scotland in the morning, so, I will need to clean these up a bit more when I get back.  Crazy week trying to get ready, so I wasn't able to get these to shine yet, but I do love them!!!

Thanks for reading to the end!

Taralyn

I decided to make a Sangria soap with this technique, using a purple (alkanet infused) to orange (annatto infused) ombre on one side and pink (rose clay) to white (kaolin clay) on the other.  The center had purple/blue (alkanet/indigo), red (rose clay), orange (annatto/moroccan clay), yellow (annatto infused) and natural. 

I gave this technique two tries, neither of which came out well enough to enter.  But, I still wanted to share my experience here.

The first attempt, the purple to orange ombre was a three color ombre, moving through red before getting to the orange.  Scented with lime, orange, lemon and just a bit of cherry - very fruit punchy!

No sideways movement for the oasis swirl, although definitely a Sangria feel.  These ended up being a little shorter than I wanted, so for the next batch I'll start with more.  I also felt that the mixtures may have gotten a little cool before getting them all into the mold.  So, I placed them in water baths to help keep the temperature up where it should be on the second try.

Still a beautiful bar of soap...I should have entered it...I rarely win anything anyway :) 
Thanks for taking an interest and reading to the end!

Taralyn